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Surviving Syria’s Civil War With Heavy Metal

On a scorching August day in 2011, in the city of Homs, the Syrian conflict nearly swallowed Monzer Darwish. The 23-year-old graphic designer, who grew up in nearby Hama, had stopped at a cafe with his fiancée, only to take cover in the establishment at the sound of screaming outside. When they finally ventured into the street, they heard a pop—pop, pop, and someone fell. Then everyone ran. “The whole street was literally on fire,” he recalled.
Fleeing the violence, Darwish wrestled with the kinds of questions many face during war. What do you do if you don’t want to take a side? If you don’t want to take up arms? If you want to keep your community from being torn apart? If you can’t escape? Many of his friends found themselves in a similar situation, and they sought emotional refuge through music, even live heavy-metal concerts near the frontlines. Reconnecting with these peers, Darwish decided to film how this alternative community—musicians and fans alike—was surviving amid the country’s three-year civil war.
Heavy metal, with its macabre poetry, thundering elegies, and violent moshing, has often resonated with young people and helped them express solidarity with one another during periods of political and social tension. But Darwish wanted to show how Syria’s “metal heads” and alternative youth, like their peers in Iraq and Afghanistan, are turning to the music not only as a way to cope with mass trauma, but also as a means of conducting a brutally honest dialogue about how to survive war and reform society.
The result: a rockumentary called Syrian Metal Is War. For much of the last year, Darwish has crisscrossed the country to film every metal musician he can find. He’s uploaded a trailer to YouTube, and he hopes to screen a rough cut of the full film in Beirut by late spring.
Read more. [Image: Daniel J. Gerstle]
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